Famous Historic Glass Engravers You Must Know
Glass engravers have been highly knowledgeable artisans and artists for thousands of years. The 1700s were specifically significant for their accomplishments and popularity.


For example, this lead glass cup demonstrates how etching integrated layout patterns like Chinese-style themes into European glass. It also highlights exactly how the ability of a great engraver can produce imaginary depth and aesthetic structure.

Dominik Biemann
In the first quarter of the 19th century the standard refinery region of north Bohemia was the only area where naive mythical and allegorical scenes etched on glass were still in fashion. The cup pictured below was etched by Dominik Biemann, that focused on tiny portraits on glass and is considered as one of one of the most crucial engravers of his time.

He was the son of a glassworker in Nové Svet and the sibling of Franz Pohl, another leading engraver of the duration. His work is qualified by a play of light and shadows, which is particularly evident on this cup displaying the etching of stags in forest. He was also understood for his work on porcelain. He passed away in 1857. The MAK Gallery in Vienna is home to a large collection of his works.

August Bohm
A remarkable Nurnberg engraver of the late 17th century, Bohm dealt with delicacy and a feeling of calligraphy. He etched minute landscapes and inscriptions with bold official scrollwork. His work is a forerunner to the neo-renaissance design that was to dominate Bohemian and other European glass in the 1880s and past.

Bohm accepted a sculptural feeling in both alleviation and intaglio engraving. He showed his mastery of the last in the finely crosshatched chiaroscuro (tailing) impacts in this footed cup and cut cover, which portrays Alexander the Great at the Fight of Granicus River (334 BC) after a painting by Charles Le Brun. Regardless of his significant ability, he never attained the fame and lot of money he sought. He passed away in scantiness. His partner was Theresia Dittrich.

Carl Gunther
Despite his steadfast job, Carl Gunther was an easygoing male who took pleasure in spending time with friends and family. He loved his everyday routine of going to the Collinsville Elder Center to appreciate lunch with his friends, and these minutes of friendship provided him with a much needed respite from his demanding career.

The 1830s saw something rather extraordinary occur to glass-- it became vibrant. Engravers from Meistersdorf and Steinschonau created richly coloured glass, a preference known as Biedermeier, to fulfill the demand of Europe's country-house courses.

The Flammarion engraving has actually ended up being a symbol of this brand-new taste and has shown up in books dedicated to science in addition to those exploring necromancy. It is also located in various gallery collections. It is thought to be the only enduring instance of its kind.

Maurice Marinot
Maurice Marinot (1882-1960) luxury engraved glass brands started his job as a fauvist painter, however became attracted with glassmaking in 1911 when checking out the Viard brothers' glassworks in Bar-sur-Seine. They offered him a bench and instructed him enamelling and glass blowing, which he understood with supreme ability. He developed his very own techniques, making use of gold flecks and manipulating the bubbles and various other natural problems of the material.

His strategy was to treat the glass as a creature and he was one of the initial 20th century glassworkers to utilize weight, mass, and the aesthetic impact of all-natural defects as visual aspects in his jobs. The exhibition shows the considerable effect that Marinot had on modern-day glass manufacturing. Sadly, the Allied bombing of Troyes in 1944 damaged his workshop and countless drawings and paints.

Edward Michel
In the very early 1800s Joshua introduced a design that simulated the Venetian glass of the period. He utilized a technique called ruby factor engraving, which entails scraping lines into the surface area of the glass with a difficult metal implement.

He additionally established the first threading equipment. This creation allowed the application of long, spirally injury tracks of color (called gilding) on the text of the glass, a vital feature of the glass in the Venetian design.

The late 19th century brought new layout concepts to the table. Frederick Kny and William Fritsche both worked at Thomas Webb & Sons, a British firm that specialized in high quality crystal glass and speciality coloured glass. Their job reflected a choice for classic or mythical topics.